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style england the mid-1930's, ink spots redac productions,
A HISTORY OF the INK SPOTS |
| Among the best and most enduring music of this century are the popular
songs of the 1930's, '40's and '50's. Every history of popular music pays homage to one of
the most celebrated vocal ensembles in Western music. The Ink Spots " were the most
popular and influential black vocal group in show business in the thirties and forties
" according to The Faber Companion to Twentieth-Century Popular Music. The Ink
Spots during their prime recording period (1939 to 1951) had 50 hit records with 11 of
their songs reaching the Top Ten between 1940 and 1949. They were awarded a Grammy in 1988
for their signature tune, " If I Didn't Care ", which has sold more than 19
million copies. In 1989 the group was inducted into the Rock and Roll Hall of Fame.
When they started singing together in the early 1930's, they were working as porters at
the Paramount Theatre in new York City. At first they called themselves King Jack and the
Jesters, but when the Paul Whiteman Orchestra introduced a vocal group with a similar
name, a new title was necessary. However, finding a suitable name was not easy and the
four vocalists and their manager agonized for hours. The manager had been doodling with
his pen, which eventually went dry. He shook it, producing four ink blots on the page -
the stuff of legend.
The original foursome consisted of Jerry Daniels (lead tenor/guitar), Orville (Hoppy)
Jones (bass), Charlie Fuqua (baritone/guitar) and Ivory (Deek) Watson (second tenor). At
first, the style was jive and the tunes "hot", with a strong jazz and blues
elements like " Stompin At The Savoy ". This was the style that they took to
England in the mid-1930's.
By the end of their 1936 tour, Daniels was sick and was replaced by Bill Kenny
(1915-1978), who changed their style, slowing the tempos of most of their songs. Kenny had
a remarkable falsetto and bassman Hoppy Jones included a spoken chorus in the middle of
each song. This combination, which became their signature, made the Ink Spots' sound
distinguishable from that of all other groups of this period and led to their first hit
recordings on the Decca label, " If I Didn't Care " and " My Prayer ",
both in 1939. In 1940 they added two more hits, " Whispering Grass ", and "
Don't Worry ".
Their music was so enormously popular that a recording made with Ella Fitzgerald in
1944 of " In Each Life Some Rain Must Fall " and " I'm Making Believe
" was not only a two-sided hit, but their first million-seller as well. This was one
of several collaborations with Ella Fitzgerald. The second and third million-sellers for
the Ink Spots were " The Gypsy " and " To Each His Own ", both which
were number 1 on the charts in 1946.
The influence of the Ink Spots on the history of popular music is notable. The music
industry was, to a large degree, racially segregated until the 1930's and even then, black
musicians usually performed and recorded for black audiences. There were a few performers
during the 1930's and '40's, such as The Mills Brothers, Louis Jordan and The Ink Spots,
who recorded "crossovers", popular music intended for one audience (black) and
bought by another (white). It was the change in the style of their music to show ballads
that made it attractive to white audiences. The Ink Spot's style found its inspiration in
the jubilee gospel songs and, in turn, inspired the early rhythm and blues bands and the
"doo-wop" groups like the Ravens and the Orioles.
When the Ink Spots began recording in the mid-1930's, the Depression had made
phonograph records too expensive for most people. The new, less expensive labels -
Decca, Bluebird, and the American Record Company's Challenger, Melotone, Banner and
perfect labels - easily found a market when they were introduced.
Many black musicians found "color-blind" radio more accessible than the
segregated recording industry, and The Ink Spots performed on hundreds of live and
recorded broadcasts. There were also appearances in Hollywood films, including What A
Business (1934), The Great American Broadcast and an Abbott and Costello film, Pardon My
Sarong (1942).
Hoppy Jones died in 1944, and by 1946, the group consisted of Bill Kenny and his twin
brother, Herb, Charlie Fuqua and Deek Watson. It was not a happy reunion and they
eventually went their separate ways, forming new groups.
By 1954, Charlie Fuqua and Deek Watson had each formed their group called The Ink Spots
and Bill Kenny was working solo as "Mr. Ink Spot." Kenny's hit recordings in the
U.S. include "It Is No Secret"
with the Song Spinners and " That's Just My Way of Forgetting You ". It was in
1954 that Lorenzo Conyers joined Deek Watson's Ink Spots as first tenor (lead). Ray
Richardson began working with Charlie Fuqua's Ink Spots in 1961. A decade later, Ray
became the leader of this group.
In 1960, Lorenzo was introduced to Ray by Bernie Mackey, who had been a guitarist with
The Ink Spots and in 1965 Lorenzo began performing with Ray Richardson's Ink Spots.
Ray Richardson's Ink Spots are a quartet of exceptionally talented and accomplished
musicians. Continuing their thirty-one year working relationship, Ray Richardson and
Lorenzo Conyers are joined by Ricky Day (second tenor/keyboards) and Kirby (Chop) Small
(alto and guitar). The original style and famous tradition come with Ray and Lorenzo to
the Ink Spots, but the songs also have a fresh, contemporary feel that will thrill their
audiences once more. |
Volume 1 Contents:
1. THIS IS A LOVELY WAY TO SPEND AN EVENING
2. PAPER DOLL
3. TO EACH HIS OWN
4. ROUTE 66
5. IT'S A SIN TO TELL A LIE
6. UP A LAZY RIVER
7. 1 DON'T WANT TO SET THE WORLD ON FIRE
8. SATURDAY NIGHT FISH FRY
9. TWILIGHT TIME
10. SMOKE GETS IN YOUR EYES
11. DOWN BY THE RIVERSIDE
12. IF I DIDN'T CARE
13. WHITE CLIFFS OF DOVER |
Writers:
Harold Adamson
Johnny Black
Jay Livingston
Van Heusen
Billy Mayhew
Hoagy Carmichael
Benny Benjamin
Louis Jordan
Buck Ram
Jerome Kern
Traditional
Jack Lawrence
Nat Burton |
|
Volume 2 Contents:
1. I'LL NEVER SMILE AGAIN
2. WE THREE
3. SWEET GEORGIA BROWN
4. WITH MY EYES WIDE OPEN
5. DO I WORRY
6. JAVA JIVE
7. CABDRIVER
8. WHISPERING GRASS
9. THE GYPSY
10. MARIE (The Dawn Is Breaking)
11. JAMAICA FAREWELL
12. MAYBE (You Think of Me)
13. SHANTY TOWN
14. BLESS YOU (For Being An Angel) |
Writers:
Ruth Lowe
Dick Robertson, Nelson Gogone and Sammy Mysels 1940
Jack Lawrence
Nelson Cogne, Sammy Mysels, Dick Robertson
Ben Bernie, Marco Pinkard, Kenneth Casey
Mark Gordon, Harry Revel
Stanley Cowan, Bobby Worth
Milton Drake, Ben Oakland
Carson Parks
Fred Fisher, Doris Fisher
Billy Reid
Irvin Berlin
Lord Burgess
Ira Gershwin, Goerge Gershwin 1926
Joe Young, Little Jack Little, John Siras
Edward Lane, Don Baker |
|
Volume 3 Contents:
1. WE THREE (My Echo, My Shadow and Me)
2. ROUTE 66 (Get Your Kicks On)
3. PAPER DOLL
4. IF I DIDN'T CARE
5. TIE A YELLOW RIBBON (Round The Old Oak Tree)
6. LET IT BE ME
7. ELVIRA
8. I'LL NEVER SMILE AGAIN
9. LAZY RIVER
10. MY PRAYER (Is To Linger With You)
11. A MAN
12. WE'LL MEET AGAIN |
Writers:
Dick Robertson, Nelson Gogone and Sammy Mysels 1940
Bobby Troup 1946
Johnny S. Black 1942
Jack Lawrence 1939
Levine & Braw 1973
Becaud-De Lanoe - Curtis 1957
Dallas Frazier 1972
Ruth Lowe 1939
Sidney Arodin-Hoagy Carmichael 1931
Jimmy Kennedy 1939 Revised 1956
F. Elab, S. Ulrich and C. Ulrich 1959
Ross Parker and Hughie Charles 1939 |
|
Volume 4 Contents:
1. IF I DID'T CARE
2. THE WAY WE WERE
3. I JUST CALLED TO SAY I LOVE YOU
4. MAYBE (You Think of Me)
5. YOU ALWAYS HURT THE ONE YOU LOVE
6. I'LL BE SEEING YOU
7. I DON'T WANT TO SET THE WORLD ON FIRE
8. YOU WERE ALWAYS ON MY MIND
9. PLEASE DON'T TALK ABOUT ME WHEN I'M GONE
10. LOVE STORY
11. SMOKE GETS IN YOUR EYES
12. WE'LL MEET AGAIN |
Writers:
Jack Lawrence 1939
Marvin Hamlisch, Alan Bergman, Marlilyn Bergman 1974
Stevie Wonder 1984
Ira Gerschwin, George Gerschwin 1926
Doris Fisher, Allan Roberts 1944
Irvin Kahal, Samy Fain 1938
Eddie Seiler, Sal Marios, Benny Benjamin,Eddie Durham 1941
Johnny Christopher, Wayne Thompson, Mark James 1971
Sidney Clare, Sam H, Stept, Bee Palmer 1930
Robert Hennig, Heinz Provost 1941
Otto Harbach, Jerome Kern 1933
Ross Parker, Hughie Charles 1939 |
|
Ink Spots Redac Productions and Diamond Entertainment Inc.
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